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    Home»Modeling»‘Need to open black boxes of development’: Abhijit Banerjee, Sarnath, and Arathi Rao speak on their films on water crisis | Art-and-culture News
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    ‘Need to open black boxes of development’: Abhijit Banerjee, Sarnath, and Arathi Rao speak on their films on water crisis | Art-and-culture News

    steamymarketing_jyqpv8By steamymarketing_jyqpv8August 25, 2025No Comments6 Mins Read
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    On a muggy August night, Nobel laureate Abhijit Banerjee sat down along with his graphic novelist and filmmaker Sarnath Banerjee, and Nationwide Geographic explorer and environmental chronicler Arati Kumar-Rao to have a thought-provoking dialogue in regards to the state of Indian cities and countryside and an environmental disaster within the making. Abhijeet additionally collaborated to carry out three characteristic movies: The Land of Good Intentions, Everlasting Swamp, and The Worth of Water. The occasion, titled ‘The Second Battle of Kalkaji: Creativeness and Storytelling,’ was hosted by BML Munjal College (BMU) by means of its College of Liberal Research (SoLS).

    The three movies had been screened on the India Worldwide Centre, making viewers ponder over the questions raised in them — water disaster in Punjab, Bengal, Bengaluru, farmers’ points, capitalism, and poverty. The movies give voice to the unvoiced. They mix private reminiscences with environmental points, and supply highly effective visible narratives on water, improvement, and the difficult relationship between people and nature.

    In “The Land of Good Intentions,” Abhijit Banerjee narrates, whereas sitting in his bed room, how rice turned out to be a significant crop in Punjab, though the state is just not even a client of it. Banerjee’s narrative is participating and amusing, as he cracks jokes about constipation, diabetes, and extra. Because the narrative blended with comical clips, animations, and retro music, the brief movie mocked the altering state governments and the way agrarian actions have an effect on the water desk. In the meantime, Delhiites choke amid air pollution, and company giants proceed to reap advantages with a sly dig on the “fitness center rats” who push laborious to stability their glycemic index, leaving viewers with one thing to consider—maybe another staple weight loss plan.

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    In “Everlasting Swamp,” Abhijit brings in scenes carved out of his real-life experiences in Kolkata, by the way because the pot-bellied, curly-haired, flashy “Mishtu da”—everybody’s good friend in Bengal—seems to be an opportunist as capitalism and industrialisation take over town. Together with his quirks, manipulation, and affect over folks, he scrambles to reap revenue as the true property trade booms within the metropolis—constructed over a swamp. Whereas locals are sentimental in regards to the land and stay protecting, they’ll barely resist the takeover by industries, high-rises, and pollution-ridden water our bodies.

    “The Worth of Water” (Jwoler Dor) brings to gentle how Bengaluru, with its hills, changed into an environmental disaster. It brings alive the scenario by juxtaposing tanker mafia, water shortage and inflation with the ‘cool man’ unaffected by the disaster, having fun with his time within the pool of a high-rise. The movie brings out the hardship ladies face in fetching water, amongst others. Nonetheless, the movie lacks originality, in contrast to the opposite films, contemplating the shortage of real-life situations and depth of components—Abhijit himself admitted so politely.

    Following the screening, the trio engaged in a light-hearted but participating dialog full of banter. Whereas the movies touched upon critical components with humor, one among the many viewers was curious to ask why such a depressive theme was chosen. Abhijit, who got down to painting stark realities, stated he may get much more miserable. Abhijit additionally linked it with economics and stated, “When economics is narrated in an intelligible method, it’s straightforward to know and nothing advanced for anybody. The rationale why we wish folks to personal the economics is as a result of if we don’t open these black packing containers of the event fashions, then we are going to find yourself like this. We’ll find yourself creating good cities, backyard cities. Delhi was as soon as a backyard metropolis and now it hosts over 2 crore folks. The town which as soon as had the bottom density of inhabitants has topped it.”

    Aarthi Rao spoke about how we now have misplaced reference to the surroundings and are cocooning ourselves in automobiles, flats, and planes. Arathi stated, “We wrestle within the public discourse as a result of individuals are in silos. Sociologists will not be speaking to hydrologists, and hydrologists will not be speaking to city planners. That’s how we now have acquired right here right now.”

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    Mentioning the inventive course of, Abhijit stated that with Sarnath Banerjee’s expertise, it’s laborious to let issues be in a selected means they usually let every part unfold, whereas Sarnath Banerjee attributes the non-binary conversational nature of the movies to the humorous, inventive facet of Abhijit. “The political fables and characters are etched from the realities Abhijit encountered throughout his time in Kolkata. The second movie was actually private,” Sarnath stated.

    As Sarnath drew the helplessness and irony of middle-class activism, Aarathi Rao chimed in, saying it’s about privilege. “We dwell in a bubble in Bengaluru. As talked about within the movies, Bengaluru is constructed on the wetlands. The terrain of Bengaluru is stuffed with mountains and valleys and town is constructed over it. So when it rains, it will get flooded. It’s the suckers who get affected by floods, however this time it was multi-millionaires who acquired hit and all of a sudden Bengaluru awakened. Bentley and different luxurious automobiles began flowing within the floodwaters, and we began crying.”

    Sarnath, who calls the movies “Water Wars,” reminisced in regards to the days when he, alongside along with his pals, used to face in line to fetch buckets of water at Connaught Place. “Reduce to 2025, Delhi has greater than sufficient water that we will let it go waste.” Nonetheless, Abhijit begged to vary and stated, “I don’t agree with the phrase ‘water battle.’ It’s a results of the results of our actions. Water is critical, nature is gorgeous and highly effective. There are people who find themselves highly effective with a lot of cash. They don’t want to barter with the results of nature’s fury. They stroll away from it. Prosperous Indians are transferring to the Gulf and different nations. There is no such thing as a thriller. The suckers will bear the results and the remaining could have enjoyable on the golf course within the Arctic.”

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