Written by Swayamshree Satyam Sethi
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The Stein Auditorium at India Habitat Centre, New Delhi, resounded with the echo of ghungroos and soulful music as Geeta Mahalik and her troupe offered “Dashavatar” – the ten incarnation of Vishnu by an Odissi efficiency. This was on the twenty fifth version of Barabati Nrutyotsaba held on June 18. That is the second time that the dance competition was celebrated in Delhi, bringing the ethnicity of Odisha to the Capital.
Organised by Cuttack based mostly cultural group, the silver jubilee celebration featured Odissi and Mohiniyattam. The performers included Guru Jayaprabha Menon and group (Mohiniyattam); Guru Sasmita Panda and Rupa Pal (Odissi duet) and Odissi Nrutya Mandal.
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Based 25 years in the past in Cuttack, Barabati Nrutyotsaba is certainly one of Odisha’s most prestigious classical dance festivals. Envisioned not simply as a efficiency platform but in addition a cultural motion, it promotes the classical traditions of Odisha, particularly the Odissi dance kind.
“This platform may be very near my coronary heart because it offers us, particularly dancers from Odisha, a possibility to attach with audiences past our area,” says Mahalik.
The competition will get its title from the tenth Century Barabati Fort in Cuttack, served as a strategic millitary construction for varied dynasties. “As Odias, we all know the emotional and cultural significance and significance of Barabati,” says Mahalik, “It’s a landmark of Odisha’s id and glory and therefore the competition bought its title.”
“There was a time when Odissi wasn’t well-known exterior the state, however as we speak it’s recognised even overseas. Once I carried out on the Competition of India in Russia in 2019, there have been individuals standing exterior the auditorium as a result of it was a full home. After each efficiency, our troupe bought standing ovations. It was a proud second for each Odia in addition to Indian,” says Mahalik.
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Because the mardala’s ultimate beat echoed for the final efficiency of the night, the viewers rose in applause. It was clear that Barabati Nrutyotsaba had not solely celebrated its previous however had additionally leaped into the long run.
“Such occasions are essential in cities like Delhi, as a result of it highlights regional artwork kinds. They provide dancers a platform and the viewers have an opportunity to learn about India’s various traditions,” says Mahalik.
Swayamshree Satyam Sethi is an intern at The Indian Categorical
